Although Tony Abeyta is known for colorful paintings that reflect his heritage, in recent years he occasionally has created black-and-white charcoal an
Navajo artist Tony Abeyta's Underworlderness exhibition will explore the Navajo underworld, the current world and our relationship to the cosmos in a series of ink and charcoal drawings. The south wall of the Crossroads Gallery will feature a large-scale installation created by using subtle ink washes and vine charcoal onto large paper panels installed on the wall. Other walls in the gallery will
Living in a harsh land which lacked natural resources such as trees and agricultural crops, Inuit traditionally depended almost entirely on animals for food and for almost every aspect of their material technology. This exhibit reflects that traditional economy and the connection between people, the land and its animals.
Although Tony Abeyta is known for colorful paintings that reflect his heritage, in recent years he occasionally has created black-and-white charcoal an
Kimberly Levi demonstrates the ability to wear the guise of two different painters. On one side is an abstract artist painting free wheeling active paintings with no apparent subject matter save the joy of the act of painting itself. On the other resides an interpreter of landscape, painting out of doors on the spot (termed 'Plein-Air', French for 'open air')..
Drawn from the Museum's own collection of works by 19th and 20th century Chinese artists, this selection will provide a link to the classical traditions of Chinese landscape painting as well as modern interpretations by artists who lived through the tumultuous 20th century. The exhibition includes works by several artists who are featured in A Tradition Redefined, allowing visitors the opportunity
Sometimes an artist comes to a specific place geographically and it happens that they experience a kind of epiphany that changes their career. When Joella Jean Mahoney stepped off the train in Flagstaff, Arizona as a student at Northern Arizona University in 1951, she knew that Arizona would be her new home. Georgia O'Keefe was mesmerized by New Mexico. Joella would find her inspiration here i